Empty and broken, the city streets evacuated with a sense of calm. Everything shattered. Glass lay like snowflakes, in piles tall as people. The sky cracked. A bubble, dark as night, bloomed in the center of the crack. No good fucking reptiles swallowed everything. Traces blasted through the sky: clouds, maybe. Or veins. Blood spurted from them, rained down, and covered the city. Definitely veins. Where was the man who played the violin? He stood in the street in a minute earlier. Then he vanished. Did he vanish? Where had everyone gone? (more…)
When we hear the words “pervert” or “perversion,” we tend to think of them in terms of sexual deviancy. As with most words, “pervert” and “perversion” can convey a variety of senses. You can pervert meaning, for example. In this sense, you’re altering the meaning of a word or phrase to fit your agenda. Or you can pervert the system, changing it to achieve your goals.
Perversion as a concept isn’t limited to sex and sexuality. It can also mean actors or behavior outside cultural norms. We’ll focus on these two meanings of the word and how they’re sometimes, but not always, interconnected.
You could argue that every art movement since the mid-to-late nineteenth century is either predicated on or incorporates some sense of perversion. If we use “perversion” is the sense of an unorthodox approach, then modern art is explicitly founded on it. Institutions dictated what constituted art—and they did so with an iron fist: you could only paint in a studio, not outdoors; you had to hide your brushstrokes; you could only depict historical or didactic scenes or imagery, and so on. Institutions dictated style and form and, to a degree, content. (more…)