After deciding to write this short piece on the twentieth century painter Francis Bacon, I promptly stopped by the local used bookstore (semi-famous for its relatively extensive “Art Books” section) to see if I could nab a hard copy of Bacon’s work in order avoid the hassle of switching back and forth between Google and Microsoft Word every time I wanted to consider a particular piece (a real hassle, as I’m sure you can imagine). The book I selected was Luigi Ficacci’s Bacon.
It’s a good little introductory overview, focusing primarily on eleven of Bacon’s most popular paintings while including reproductions of his “lesser” works interspersed throughout the text. Ficacci thankfully focuses on the art itself rather than Bacon’s biography, which, as Ficacci himself notes, is easily accessible elsewhere (there is, in fact, a fantastic BBC documentary on YouTube that amply discusses the more salient aspects of Bacon’s biography. It’s free and well-executed. You can watch it below. My purpose here, however, is not to follow or outline Ficacci’s analysis of Bacon’s work (although it is quite interesting and worthy of a read). Ficacci’s thoughts do, however, provide a good point of departure for my own analysis of Bacon’s painting. (more…)