A Dialectic in Defense of Experimental Narratives through the Study of Slaughterhouse-Five and Paris Peasant
Some writers adore narrative convention. They stick to the algorithm without deviation. Others deviate only slightly. Other writers still incorporate radical deviation into conventional narrative algorithms. Then there are writers who eschew convention altogether in order to deconstruct or to dismantle narrative entirely. Each of these groups attempt to add their stamp to fiction or literature in one way or the other. And all have strong opinions on narrative. But which group, which tactic, is right?
The answer shouldn’t startle you: none. Declaring narrative can or should or must only follow one path is like demanding that all athletes stand during the national anthem. It’s a form of authoritarianism predicated on inculcating and reinforcing conformity. Narratives are fluid, organic, the products of human perception of time. Think of it as water: it can assume the shape of liquid, steam, or ice while still containing water at its core. Continue reading